Machine is a regarded as one of the most prestige and important figures in our scene and the man behind the desk and success to so many of our favorite bands, albums and singles from a variety of rock sub genres. Music producing, mixing and mastering icon, Machine, is our guest on Episode 96 of Sappenin' Podcast! If you're a regular listener of ours, you've heard countless stories about this true industry legend, but now we finally get to experience his creative mind for ourselves. 96 - Machine The Producer (Lamb Of God / Fall Out Boy / Every Time I Die / Four Year Strong / Hed PE) In fact, it slowly arrives at a crescendo that only further builds in the idea of having to accept the spectral uncertainty.įor the percussive pedant and the existential dweller, place will concoct an environment that holds you close, if only because these artists want to remind you of how much your environment holds you close already.EP. The atmosphere is murkier, without betraying any of the claustrophobia. Yet, this dialogue grows more restless and existential on “stand of mangroves in John Heinze Nature Reserve”, before reflecting on the previous four tracks with “dishwasher erotica”. The skitters and touches of the two performer’s respective instruments sound like an airless dialogue, suggesting a mending of the omnibus digital with the tiny corporeal. “a topology on skin” provides an intense focus on linking fingers to the sounds of percussives and electronics. Whether a spatial certainty can be constructed at all comes into focus on Side B. Even with Suarez’s percussives, holding their own groove in place, there’s a desperate cry for a spectral certainty as Data’s electronics falter. The latter track is akin to scanning a frequency in a storm of whtie noise. It is a tense stillness, with Suarez’s percussives implying movement and diegetic world sounds, while Madam Data’s samples coming like non-diegetic blips that jolt the body for a moment.
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The former track is full of low ends that enact a low droning bubble. Unlike in some high-art European countries, where you can just rent a room and go hog wild with recording this space, Madam Data and Suarez took this to Philadelphia freeform airwaves! The two performances off of Side A, “catskills 051419” and “radio philadelphia 043019” both explore spectral uncertainty in contrasting ways.
They partnered with Leo Suarez, a percussionist eager to take an “objects as percussion” approach to sound. For place, they are focused on field recordings, abstracted to render a sonic space claustrophobic. Madam Data has been cooking up something good in Philadelphia, working in underground circles across a plethora of sounds from punk to minimalism. Loyal Tabs Out readers know that Never Anything specializes in multi-faceted sonic endeavors always worthy of a lookout, and Madam Data & Leo Suarez’s place is no exception. Have you ever been to one of those scientific labs where you can twist knobs that make cool sound experiments? Of course not-it costs too much money and you blew your PhD on studying Film Theory instead of electronics!įortunately, Never Anything has been offering scientific sonic experiments for the home audio system.
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